EJ Jones

I’m about to get on a plane and fly to Houston to enjoy my favorite holiday with my friends.
Noon EJ on the roof
11:30 Jiggernaut
12:25 Clandestine
1:20 Circa Paleo
2:00 Martin Burniston Irish Singalong
2:30 Brizeus
3:00 O’Maoileidigh Irish Dancers
3:45 Clandestine
4:35 Jiggernaut
5:00 EJ on the roof
5:25 Circa Paleo
6:00 O’Maoileidigh Irish Dancers
6:45 Clandestine
7:40 Jiggernaut
8:30 Brizeus
9:15 Circa Paleo
10:00 Clandestine/Jiggernaut/Paleo/Brizeus Finale

I’m back in Asheville after a great weekend in Texas and playing with some fantastic local musicians this week in Brevard, NC. We played a gig together in Maryville TN recently and I managed to get a video of our soundcheck with the phone.

I just spent a fabulous weekend playing and teaching tunes to a very bright group of players at the Celtic Arts Foundation smallpipe/reelpipe program in a forest camp inside the town of Bellingham WA. It was a pleasure to meet Fred Morrison and hear him give some amazing performances of his original tunes, especially the “Kansas City Hornpipe” from his new album. I loved how powerfully and with such abandon he played. I’ll use a phrase I’m borrowing from him and say he was really “knocking sparks off it”.

We had a Friday night meet up for registration, a house concert overlooking a beautiful view of the water that night and then the next day, 7 hours of instruction in small classes of no more than 8 students and two night sessions. Sunday was a lighter day, just 3 hours of classes, a jam session and then a blast of a concert at the Skagit Brewery Bar.

I was continuing a theme from the Pipers Gathering in Vt and trying to encourage folks to think of themselves as public performers, cast in the role of town pipers to the local community, our job being to bring good tunes to the people around us, whether that’s from a stage or in the living room. I brought a quiver of tunes that would be practical and interesting towards that goal. We started the weekend with a reminder exercise on making a first and last impression with the pipes and how to use tuning to intrigue the listener. I’m hoping to continue that theme at my next teaching weekend this January at the Upper Potomac Pipers Weekend.

I felt hugely lucky to share a stage and give this workshop alongside Fred. He was a lion of a performer and tirelessly generous in trying to inspire and encourage the players there. I learned a lot from him and am taking a couple of things home:

-”rhythm is the window to the soul of the tune” a quote from the Saturday presentation on how to prepare for a gig.

-leave your inner judge in the practice room.

-take a stand for the music you really love.

I’m coming home this weekend feeling stronger than ever, ready to work harder, play with more heart.

The organizers of the Celtic Arts Foundation made this beautiful weekend possible and I am profoundly grateful to have been invited, There’s talk of some sort of bagpipe excursion coming out of this… Stay tuned….

Once again the green hills and Champlain valley of Vermont rang with the dulcet calls of our many species of bagpipes at this year’s PIpers Gathering. At the beginning of the weekend we were sorted into our different houses according to Border Pipes, Scottish Smallpipes, Northumbrian Smallpipes, Uilleann Pipes and even Medieval and Renaissance pipes. We gathered to trade piping secrets and perfect our performance strategies to impress the folks upon our return home. I was teaching Border pipes this year and was pleased at how advanced some of the players were in the classes. It was excellent as always to see that do-gooding Nate Banton and his field of lovely border and smallpipes played by Tim Cummings and Ben Miller as well as meet for the first time the amazing player and pipemaker Fin Moore of Moore Bagpipes. I believe there was an offensive mounted on the Uilleann pipe house by houses Border and Smallpipe at 4 am one night and it was impressive to see how chipper they all were the next day having finally convinced the Uilleann pipers to stop making all those staccato popping sounds. You’re next Northumbrians… It was fantastic to see so many of my own customers there and I had a good time replacing reeds and catching up with folks. This was the first year at Champlain College which was a huge improvement over our previous venue. The classrooms were climate controlled and brightly lit and there was an epic view of Lake Champlain from every window it seemed, especially the dining room which had a 12 ft wall of glass looking out on the lake and mountains. The food was very good too. We were in the town of Burlington so there was plenty of cell reception and every amenity you could think of. I think next year we should do a class on busking and take a field trip to the pleasant downtown area and take turns playing for people walking by. The piper from one of my favorite groups was there teaching Renaissance and Medieval pipes, Tom Zajac who plays in the group Piffaro and had some very interesting tunes to show us at at the Sunday concert. If you’re reading this…I’ve survived the summer and threaded the needle of floods in VT and fires in TX with my head down making pipes in lovely Asheville NC. If you love the bagpipes and didn’t make it to the PIpers Gathering this year, please consider making a tax-deductible donation. Hope to see you there next year!

There’s a new recording project that has just been finished and should be back from the printers on the 23rd of June. It’s all instrumental and features original, historic, and celtic dance tunes with me on bagpipes great and small accompanied by cittern player Al Cofrin with special guests Richard Kean, Sean Sutherland, Emily Dugas, Wolf Loeascher, and Dave Machek. We’re getting folks together to bid various festivals next year so you’ll likely see this band around for a long time to come. The website is http://www.brizeus.com

I just got back from the Texas Scottish festival in Arlington and had a very hot but rewarding weekend playing with Clandestine
We had three sets on the big stage and it was tough keeping the pipes at A440 with the heat in the high 90′s but I think it worked. Clandestine had a wonderful time and got to reconnect with folks who’ve seen us over the last few years. We recently found out we’re likely going to be hired at the Loch Norman Games in Charlotte, NC next April so I’m looking forward to playing with my Texas friends in my home state!

It looks like I’m teaching at the VT smallpipes workshop on May 7-8 in Marshfield Vt!

Call Iain MacHarg to sign up:

(802) 426-3096
iain@fairpoint.net

vtcelticarts.org